Vol 27, No 2 (2021)

	Intergalactic Triumph: American Hegemony Represented in Arrival (2016) Movie Bella Ernita Ramadhana https://dx.doi.org/10.20961/jbssa.v27i2.40465	PDF 1-4
	Pragmatic Function Shifts in the Translation of WH Questions in “500 Days of Summer” Muhammad Afrizal Lutfi Prahara https://dx.doi.org/10.20961/jbssa.v27i2.53676	PDF 5-11
	The Roles of Attitude in The Storyline of Beauty and The Beast (2017) Movie (Systemic Functional Linguistics Approach) Alhinsa Oktaviani Arjanti https://dx.doi.org/10.20961/jbssa.v27i2.44546	PDF 12-23
	Princesses in the Suburbs: Reading The Virgin Suicides as a Fairytale Moureta Lingkar Maharani, ‎‎‎‎ Mugijatna https://dx.doi.org/10.20961/jbssa.v27i2.43263	PDF 24-34
	The Analysis of Compliment Strategies in a Movie Entitled The Spectacular Now Rafika Arimbi https://dx.doi.org/10.20961/jbssa.v27i2.44399	PDF 35-42
	Constructing the Character of Deadpool through Swearing Words Exploitation: A Sociolinguistic Analysis of Deadpool 2 Movie Aldho Irawan https://dx.doi.org/10.20961/jbssa.v27i2.39947	PDF 43-49
	Self-Objectificationas Representation of Postfeminist Women Empowerment in Fifth Harmony’s Music Videos. Bukhori Muslim https://dx.doi.org/10.20961/jbssa.v27i2.43186	PDF 50-55