Vol 26, No 2 (2020)

	The Social Identity Change of Little Bee as the Main Character in Chris Cleave’s The Other Hand Riska Hendika Rani https://dx.doi.org/10.20961/jbssa.v25i2.32988	PDF 1-16
	Combination of Emoji and Text in Musicians’ Twitter Posts Yudha Nirmala https://dx.doi.org/10.20961/jbssa.v26i2.36105	PDF 17-41
	Problematizing Black Female Character as Mother Figure in Adaptation of “The Curious Case of Benjamin Button” Indira Vita Ariesia https://dx.doi.org/10.20961/jbssa.v26i2.39228	PDF 42-64
	Code Choice Used in YouTube Content “Nebeng Boy” Caecilia Ivana Angelia https://dx.doi.org/10.20961/jbssa.v26i2.39347	PDF 65-80
	Female Masculinity Portrayal in Dota 2 Videogame Hanief Filza Ferdiansyah, Muhammad Taufiq Al Makmun https://dx.doi.org/10.20961/jbssa.v26i2.40377	PDF 81-107
	Translation Analysis on Directive Speech Acts Found in YouTube Video of Vice Indonesia Entitled: Polemik Poligami di Indonesia: Berbagi Surga Eni Putri Handayani https://dx.doi.org/10.20961/jbssa.v26i2.40754	PDF 108-125
	The Construction of Edward Snowden as a Whistleblower in the New York Times and the Washington Post and How It Represents American Freedom of Speech Cahyo Adi Nugroho https://dx.doi.org/10.20961/jbssa.v26i2.41800	PDF 126-144
	A Psychoanalytical Study Of Paul Morel’s Sexual Desire In D.H Lawrence’s Sons And Lovers Evi Baiturohmah https://dx.doi.org/10.20961/jbssa.v26i2.41851	PDF 145-168