Peranan Sanggar Seni Santi Budaya Dalam Pelestarian Budaya Tradisional dan Sebagai Wahana Pendidikan Seni Budaya Kelas 8 SMPN 4 Sukoharjo Tahun Pelajaran 2015/2016

Luqman Fajar Nugroho

Abstract

The purpose of this research is to describe: (1) the background behind the founding of Santi Budaya Art Gallery, Sukoharjo, (2) the education processes taking place at Santi Budaya Art Gallery, Sukoharjo, and (3) the role of Santi Budaya Art Gallery in preserving traditional culture in Sukoharjo Regency.

The research is a qualitative descriptive research. The subject of research is the Santi Budaya Art Gallery in Kepuh Village, Nguter Sub-District, Sukoharjo Regency, Central Java Province. The research is focused on the study of art education exposition. Data is collected by means of direct observation, in-depth interviews, and documentation study. The collected data is analysed in the frame of qualitative descriptive analysis technique. Data validation is gained through triangulation of source, specifically verifying data from various sources. The mentioned sources are outcomes of observation, interview and documentation study pertaining to Santi Budaya Art Gallery in Kepuh Village, Nguter Sub-District, Sukoharjo Regency, Central Java Province.

The research acquired results as follows: (1) organising dance education for any individual who wish to learn dancing in order to produce the next generation expected to be capable of preserving and acquainting dance, especially in Sukoharjo; (2) arranging dance performances aimed to maintain dance existence and entertain the community in the audience; (3) undertaking meetings with dancing experts to discuss all things related to the continuity of dancing and to keep in touch with dance artists; (4) pioneering dance studio management training in Sukoharjo, including planning, organising, motivating, conforming, evaluating and developing.

Keywords

history, education, traditional culture, santi budaya art gallery, SMP N 4 Sukoharjo

Full Text:

PDF

References

Abdullah, Irwan. 2006. Kontruksi dan Reproduksi Kebudayaan. Yogyakarta: Pustaka Pelajar.

Budi Santosa. 1994. Kesenian dan Kebudayaan. Surakarta: STSI Pers

Depdikbud.1993. Kamus Besar Bahasa Indonesia. Jakarta: Balai Pustaka

Heribertus Sutopo. 2002. Metodologi Penelitian Kualitatif. Surakarta: UNS Press

Koentjaraningrat. 1997. Metode Penelitian Sejarah. Jakarta. Gramedia.

_____________. Manusia dan Kebudayaan di Indonesia. Jakarta: Djambatan,

_____________. Pertumbuhan Seni Pertunjukan.Jakarta: Sinar Harapan,

Widjaja, H. A. W. Ilmu Komunikasi Pengantar Studi. Jakarta, Indonesia: PT. Renika Cipta, 2000

Lexi J. Moleong, M. A. 2001. Metodologi Penelitian Kualitatif. Bandung: Rosda Karya

Nawawi, H. 1995. Metode Penelitian Bidang Sosial. Yogyakarta: UGM

Novrisal, Faza. 2009. PERLINDUNGAN KARYA CIPTA SENI TARI (studi terhadap Konsep dan Upaya Perlindungan Hak Cipta Seni Tari di Kalangan Seniman Tari Yogyakarta) Tesis dipublikasikan. Semarang: Universitas Diponegoro.

_________. 1977. Tari-Tarian Indonesia. Jakarta: Proyek Pengembangan Media Kebudayaan, DirektoratJendral Kebudayaan, Departemen Pendidikan dan Agama.

_________. 1978. Pengetahuan dan Kompetensi Tari. Yogyakarta: ASTI

Sugiyono. 2012. Metode Penelitian Kualitatif, Kuantitatif, dan R & D. Bandung: Alfabeta.

________. 2010. Memahami Penelitian Kualitatif. Bandung: Alfabeta

________. 2007. Metode Penelitian Pendidikan. Bandung: Alfabeta

https://www.sukoharjokab.go.id/id/p/geografis (Diakses Tanggal 15 Februari 2016 pukul 10.06 WIB)

https://www.sukoharjpkab.go.id/id/p/wilayah (Diakses Tanggal 20 Februari 2016 pukul 11.07)

https://sukoharjokab.go.id/id/p/perguruan-tinggi (Diakses Tanggal 20 Februari 2016 pukul 11.30)

https://www.sukoharjokab.go.id/id/p/smpmts (Diakses Tanggal 20 Februari 2016 pukul 11.35)