Implementasi Arsitektur Semiotik pada Galeri Street Art di Kota Bandung

Qonitah Hanan Subagyo, Kusumaningdyah Nurul Handayani, Maya Andria Nirawati

Abstract

Semiotic architecture is a bridge between architects and users who convey architectural information. The application of semiotic architecture to street art gallery buildings can be used as street art introduction images to users. Unfortunately, there is no research on the relationship between semiotic architecture and street art that can be used as design criteria parameters. Therefore, the urgency of this research is to find out which components of semiotic architecture are most suitable for the identity of street art galleries. The method of this research is studying the characteristics of street art and then analyzing it with three semiotic architectural theories from Yousafi, Uluğ and Huang & Zhou. This research produces the design criteria of a street art gallery, namely the use of polychromatic colors, the use of dominant walls, designing space without partitions, materials that give the impression of a street, and incorporating public street art interaction content.

Keywords

semiotic; street art; gallery

Full Text:

PDF

References

Ardhiansyah, N. (2020). Setting Fisik Graffiti Tagging sebagai Bentuk Vandalisme di Kota Bandung. ARTEKS : Jurnal Teknik Arsitektur, 5(2), 197–204. https://doi.org/10.30822/arteks.v5i2.372

Baldini, A. (2016). Street art: A reply to Riggle. Journal of Aesthetics and Art Criticism, 74(2), 187–191. https://doi.org/10.1111/jaac.12261

Conklin, T. R. (2013). Street Art, Ideology and Public Space. Master of Urban Studies Portland State University, 332.

Dinas Kebudayaan dan Pariwisata Kota Bandung. (2021). Data Lingkungan dan Kebudayaan Kota Bandung. https://disbudpar.bandung.go.id/c_home/informasi_publik

Fatmala, D. (2017). Pola Interaksi pada Street Art Publik di Kota Bandung. 2017. https://elib.unikom.ac.id/download.php?id=352991

Huang, J., & Zhou, H. J. (2020). Analysis on the Application of Architectural Semiotics in Design. IOP Conference Series: Earth and Environmental Science, 510(5). https://doi.org/10.1088/1755-1315/510/5/052023

Ibrahim, M. L., & Ashadi, A. (2020). Kajian Konsep Arsitektur Semiotik Pada Bangunan Gedung Pertunjukan. Jurnal Arsitektur ZONASI, 3(3), 272–281. https://doi.org/10.17509/jaz.v3i3.25018

Jencks, C. (1997). The Post-Modern Reader.

Khafifah, N. (2017). Ada Pelangi di Antapani. Kumparan.Com. https://kumparan.com/kumparannews/ada-pelangi-di-antapani/full

Kurniawan, I. (2021). Mang Oded Lukis Mural Jembatan Pasupati Bandung: Lebih Indah dan Estetik. Pikiranrakyat.Com. https://prfmnews.pikiran-rakyat.com/bandung-raya/pr-132901860/mang-oded-lukis-mural-jembatan-pasupati-bandung-lebih-indah-dan-estetik

Kusumah, A. (2021). Revitalisasi Mural di Kawasan Baksil Selesai, Makin Cantik dengan Kursi Klasik. Infobdg.Com. https://www.infobdg.com/v2/revitalisasi-mural-di-kawasan-baksil-selesai-makin-cantik-dengan-kursi-klasik/

Nugraha, E. F., & Ashadi, A. (2020). Penerapan Konsep Arsitektur Semiotika Pada Bangunan Masjid Al – Irsyad Satya. Journal of Architectural Design and Development, 1(2), 153. https://doi.org/10.37253/jad.v1i2.844

PPID Bandung. (2018). Visi dan Misi Dinas Kebudayaan dan Pariwisata Kota Bandung. Journal of Materials Processing Technology, 1(1), 1–8. https://ppid.bandung.go.id/knowledgebase/visi-dan-misi-disbudpar-kota-bandung/

Rismawan. (2013). FENOMENA SENI GRAFFITI SEBAGAI MEDIA EKSPRESI. 41805091.

Salindeho, H. A. (2016). SEKOLAH POLISI NEGARA DI KAROMBASAN ‘SEMIOTIKA DALAM ARSITEKTUR’ | Salindeho | Jurnal Arsitektur DASENG. 2, 13–21. https://ejournal.unsrat.ac.id/index.php/daseng/article/view/2932/pdf

Uluğ, E. (2022). An investigation into the connotations of iconic buildings by using a semiotic model of architecture. Social Semiotics, 32(2), 279–300. https://doi.org/10.1080/10350330.2020.1756590

Yan, L., Xu, J. (Bill), Sun, Z., & Xu, Y. (2019). Street art as alternative attractions: A case of the East Side Gallery. Tourism Management Perspectives, 29(June 2018), 76–85. https://doi.org/10.1016/j.tmp.2018.11.001

Yousefi, M., Ayvazian, S., Raeisi, I., Soheili, J., & Rahbarimanesh, K. (2019). Investigation of the Ability to Redefine the Components of Popular Architecture Facades in Contemporary Architecture from Semiotics Point of View ( Case study : Poonak Zone of Qazvin ).

DOI: https://doi.org/10.20961/arst.v21i1.71190

Refbacks

  • There are currently no refbacks.