MAKNA LIRIK LAGU “HATI-HATI DI JALAN” OLEH TULUS: KAJIAN SEMIOTIKA NARATIF

Rohma Tunurus Asholiha, Edi Dwi Riyanto

Abstract

With the many social media platforms currently available, one of which is YouTube, encouraging the birth of so many audio-visual communications that can be uploaded for free by anyone, anytime and anywhere. This study discusses the analysis of the meaning of the lyrics of the song careful on the road by Tulus. The song Cautious on the Road was released on March 3, 2022. The theories used in this research are the Stuart Hall circuit of culture theory to get representation in society, and Michael Riffaterre's semiotic theory to explain the meaning in this song. The method used in this research is qualitative descriptive. The video clip and song lyrics convey a message about the meaning of being careful on the road, where the message is conveyed through the form of visualization shown in the music video and also through the song from the music video. This can be seen from the many positive responses through the comments column and also the number of impressions that made up 1 million people in less than 1 month.

Keywords

careful on the road, sincere, Semiotics

Full Text:

PDF

References

Adorno, T. (1953). A social music of radio music. New York: The Free Press of Glencoe.

Adorno, T. (1991). The culture industry. London: Routledge.

Beard, D., & Gloag, K. (2005). Musikology: The Key Concepts. In Musikology: The Key Concepts. Routledge. https://doi.org/10.4324/9781315647463-8

Budiarto, C. T. (2001). Musik modern dan ideologi pasar. Yogyakarta: Tarawang Press.

Chamber. (1990). Popular music and mass culture. London: Sage Publication.

Frith, Simon. (1988). music for pleasure. New York: Routledge.

Hardjana, Suka. (1983). Estetika musik. Jakarta: Departemen Pendidikan dan Kebudayaan Direktorat Jendral Pendidikan Dasar dan Menengah.

Karja, I. W. (2021). Makna Warna. Bali-Dwipantara Waskita, 1(1). https://eproceeding.isi-dps.ac.id/index.php/bdw/article/view/260

Kusuma dewi. Lilis. (2017). Analisis Semiotika Film Christian Metz: Studi Kasus Visualisasi pesan Religi dalam film Hijjrah Cinta. Jember. Publika Budaya, 5 (1). https://jurnal.unej.ac.id/index.php/PB/article/view/5986

Lantowa, J., Marahayu, N. M., & Khairussibyan, M. (2017). Semiotika: Teori, metode, dan penerapannya dalam penelitian sastra. Deepublish.

Lantowa, Jafar., et al. (2017). Semiotika - teori, metode, dan penerapannya dalam penelitian sastra. Yogyakarta: CV Budi Utama.

Nuriarta, I. W. (2019). Kajian Semiotika Kartun Majalah Tempo Tahun 2019. Prabangkara : Jurnal Seni Rupa Dan Desain, 23(1), 11–15. Retrieved from https://jurnal.isi-dps.ac.id/index.php/prabangkara/article/view/736

Pidu, R., Hinta, E., & Lantowa, J. (2021). Signifikansi puisi “Pertentangan ialah hukum surgawi” karya Kuntowijoyo (Kajian semiotika Riffaterre). Jambura Journal of Linguistics and Literature, 2(1).

Ratih, Rina. (2016), Teori dan aplikasi semiotik Michael Riffaterre. Yogyakarta: Pustaka Pelajar.

Redana, Bre. (2007). Dari revolusi industri ke revolusi bunyi. Kompas (8 Juli 2007)

Rouget, Gilbert. (1985). Music and trance a theory of the relations between music and possession. Chicago and London: The University of Chicago Press

Savitri, A., Sa'diyah, I., & Suyuti, A. (2021). Islamisme magis sebagai kritik atas praktik beragama dalam kumpulan cerpen Memburu Muhammad karya Feby Indirani. MOZAIK HUMANIORA, 21(2), 134-147. Doi: https://doi.org/10.20473/mozaik.v21i2.27939

Soekanto, S. (2000). Sosiologi suatu pengantar. Jakarta: PT. Rajagrafindo Persada.

Sutopo, H.B. (2006). Metodologi penelitian. Surakarta :Universitas Sebelas Maret, 113-116 dan 119.

Yudha, I. G. A. N. A. (2021). Pesan persatuan dalam kebhinekaan dalam video musik Wonderland Indonesia oleh Alffy Ref feat Novia Bachmid (Persepktif simiotika film). COMMUNICARE, 2(2). Doi: https://doi.org/10.55115/communicare.v2i2.1826

DOI: https://doi.org/10.20961/hsb.v7i2.63914

Refbacks

  • There are currently no refbacks.