DRAMATIC STRUCTURE AND PHILOSOPHICAL MEANING OF SHADOW PUPPET PERFORMANCE WITH THE STORY OF ANOMAN OBONG BY KI PURBO ASMORO

Dwi Cahyo Pangestu, Raheni Suhita, Favorita Kurwidaria

Abstract

The aim of this study is to explain and describe the dramatic structure of and philosophical meaning contained in shadow puppet with the story of Anoman Obong by Ki Purbo Asmoro. The method employed in this research is the qualitative one with content analysis approach and using dramatic structure theory and hermeneutic theory for explaining dramatic structure and philosophical meaning of the story. The data sources of this research is puppet shadow videos with Anoman Obong stories by Ki Purbo Asmoroh having been uploaded on Youtube. Data collection techniques used were documentation and contents analysis. The validation of data was carried out using theory and source triangulations. The data analysis technique used was interactive model analysis. Result of this study indicate that the dramatic structure of this story include characters and characterization, flow, setting, theme, and value. Then, philosophical meaning contained includes Rama Wijaya’s self- instrospection, Lesmana’s vigilance, Semar’s advice about intentions and endeavor, and God’s contribution in life.

Keywords

Dramatic structure, philosophical meaning, shadow puppet

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