Perilaku Konsumen Pada Komunitas Selenoid Dalam Perspektif Teori Jean Baudrillard

Muhammad Sholahuddin Al Farras

Abstract


This research discusses consumer behavior in the analog photography community (Selenoid) in Surakarta, especially in the symbolic and emotional context, using Jean Baudrillard's theory. The problem studied is how the use of analog cameras in this community is more than just a practical need, but rather as a means of expression of identity and social status. The purpose of this research is to understand the consumption patterns of analog photography community members, as well as the role of analog cameras and their supporting equipment as symbols of identity and authentic experience. The method used is qualitative research with a phenomenological approach. The sample was taken by purposive sampling method from active members of the Selenoid community who regularly use analog cameras. Data collection was done through observation and in-depth interviews, with data validity using source triangulation. The results showed that consumptive behavior in this community is not only functional, but also symbolic and emotional. Analog cameras and their equipment serve as symbols of identity, social status, and authenticity. Based on Baudrillard's theory, these objects create simulacra, where symbolic values and authentic experiences are valued more than their technical functions, which strengthen personal identity and solidarity within the community as a response to the instantaneous digital culture.


Full Text:

PDF
rticle

References


Andito, T. (2012). Komunitas Kamera Analog Yogyakarta Dalam Majalah Digital “Ruang Gelap.” ARS: Jurnal Seni Rupa Dan Desain, 17.
Awanapps team. 2024. 5 Keunggulan Menggunakan Kamera Analog di Era Digital. https://www.awanapps.com/technologies/5-keunggulan-menggunakankamera- analog-di-era-digital/. (diakses 20 Oktober 2024)

Baudrillard, J. (1994). Simulacra and Simulation. The University of Michigan
Press.

Baudrillard, J. (1998). The Consumer Society: Myths and Structures. SAGE
Publications Ltd. https://doi.org/10.4135/9781526401502.

Baudrillard, J. (2011). Masyarakat Konsumsi (Wahyunto, Terjemahan). Kreasi Wacana.

Belk, R. W. (1988). Possessions and the Extended Self. Journal of Consumer
Research, 15(2), 139–168. http://www.jstor.org/stable/2489522.

Darmawan, Y. S., & Wikayanto, A. (2018). TREND KAMERA ANALOG INSTAN
DI KALANGAN REMAJA. REKAM: Jurnal Fotografi, Televisi, Dan
Animasi, 14, 97–106. https://doi.org/10.24821/rekam.v14i2.1930

Latifah, A. N. (2023). MINAT ANAK MUDA TERHADAP FOTOGRAFI
MENGGUNAKAN KAMERA ANALOG INSTAN. Retina Jurnal Fotografi,
3(2), 279–284. https://doi.org/10.59997/rjf.v3i2.2271.

Putnam, R. D. (2000). Bowling Alone: The Collapse and Revival of American
Community. Simon & Schuster.

Ritzer, G., & Stepnisky, J. (2018). Sociological Theory (10 (tenth edition)). Sage Publications.

Syaharani , P.A & Ramadansyah, A. 2024. Kamera Analog: Tren Klasik yang
Dihidupkan Kembali oleh Gen Z. Artikel ini sudah tayang di VIVA.co.id pada
hari Senin, 7 Oktober 2024 - 11:36 WIB. https://www.viva.co.id/gayahidup/
gaya/1758506-kamera-analog-tren-klasik-yang-dihidupkan-kembalioleh-
gen-z. (diakses 10 November 2024)

Solomon, M. R. (2009). Consumer Behavior: Buying, Having and Being. Prentice-all. Tempo. 2023. Berburu Estetika Fotografi Analog . https://www.tempo.co/gayahidup/ estetika-fotografi-kamera-analog-826317. (diakses 23 Desember 2024)

Utama, S. S. (2012). Komunitas Kamera Analog Jogjakarta (KAJ) Dalam
Melestarikan Penggunaan Fotografi Kamera Analog . Universitas Negeri
Yogyakarta.




DOI: https://doi.org/10.20961/jodasc.v8i1.98951

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Recent Issues