Proceeding of International Conference on Art, Language, and Culture
Proceeding of International Conference on Art, Language, and Culture publishes the result of International Conference on Art, Language, and Culture
Cover of Proceeding of 3rd International Conference on Art, Language, and Culture
Copyright (c) 2019 Proceeding of International Conference on Art, Language, and Culture
3rd International Conference on Art, Language, and Culture
REVITALISATION OF FEMALE GAMELAN’S PLAYERS IN SEBLANG OF BAKUNGAN A STUDY CASE
The local agricultural spirit of Osing people of Banyuwangi district, East Java produced many of various rites. These function as mediation between human community and supranatural forces to influence the fertility of soils even to guarantee the welfare of the community. Seblang is the oldest among these traditions, still kept and implemented by the villagers of Bakungan as a part of yearly village purification ceremony. The entity of woman as spiritual being associated to fertility and to the food-giving Mother Earth (pertiwi)and rice field goddess (Mbok Srindani)is essential in the Seblang ritual. Woman is also the preserver of local wisdom about ecological equilibrium as the part of the traditional agricultural worldview. In the last two decades myths, beliefs and discourses of Seblang changed, in parallel with the social-, cultural- ecological changes of the regional development leaded by Banyuwangi`s post-reformation government. This changes modificate elements in the original implementation of this rite. One of these changes was the arbitrary exchange of the Seblang`s female gamelan’s players by male ones five years ago. This paper analyzes how the changing power structures of center and periferic caused the marginalisation of female gamelan’s players of Seblang, in a concrete way, howthe dominant patriarchal class ignored the importance of female entity in the Seblang rite through the act of banishing the female gamelan’s players. After five years of their banishment, in 2018 Bakungan women got the opportunity to join again as gamelan’s player in Seblang. Present paper examines how the awareness of community about cultural competency the female gamelan’s players changed positively after Bakungan women were able to articulate their need to participate as musicians in the Seblang rite. This new awareness presents the emerging self-image of Osing woman and forming a change in the earlier male-dominant perspective.
THE CREATION OF PATTERN OF MAIN CHARACTERS OF WAYANG BEBER FOR DESIGNING OF THE ICONOF PACITAN AS CITY OF TOURISM
Wayang beber is both of a of fine artwork and wayang/puppet show art. In this paper wayang beber is discussed from the point of view of art or craft art in making patterns as designs or references for the realization of works of art with several techniques to adjust the main ingredients. Wayang beber as the original traditional art of Pacitan which contains local wisdom that needs to be conservation efforts, research, creation and innovation.This effort is being done to make wayang beber is suitable to be used as a source of ideas in the creation of the icon or logo of the Pacitan as a city of tourism. The process of creating this work through stages: problem identification, planning, drawing design, testing and implementation. The results of this drafting were aimed at improving, preserving Pacitan Wayang Beber, which is useful and widely known to the public. This paper is a part of the description of this Art Creation Research with the theme of design or design of tourist icons, through relief designs and sculptures, monument designs / monuments, city garden decoration works, with ideas of form, main characters, ornaments, arrangement patterns, stories and meanings Original Pacitan Wayang Beber. This description describes a part of the creation process in choosing the wayang beber scene, determining the main character, refining the shape and costume of the chosen figure to create a creative, innovative and meaningful Pacitan City Tourism Icon design. The relief works will be made using brass or copper plates. Ikon Pacitan's work can be done for the interior but is more appropriate for the exterior. Based on the identification of the selected wayang beber, the main characters of wayang beber Pacitan namely Dewi Sekartaji, Raden Panji, Naladerma and Tawangalun, were also found ornaments of various motifs of plants typical of Pacitan Wayang Beber. This main character is used as the main subject in the tourist icon design. The Pacitan City Tourism icon / logo is a new creation of wayang Beber combined with the form of gunungan wayang kulit and supplementary decorative motifs. The pattern resulted, is a relief. It was made of brass plate with carving technique and decorated with the technique of sunggingan or coloring by acrylic paint.
STUDENTS’ RESPONSE TOWARD CORRECTIVE FEEDBACK IN SPEAKING ACTIVITIES: THE CASE OF UNDERGRADUATE EFL LEARNERS IN SUKOHARJO
Giving feedback is one of the important steps in improving learners’ progress in speaking. It is important for students to know how well they are doing as they learn. The objective of this study is to explore the students’ response for feedback that they receive in Speaking class. Its subjects were 25 students of English Department in Veteran Bangun Nusantara University of Sukoharjo. Observation and interview were used to its data and the data were analysed qualitatively. 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LINGUISTIC LANDSCAPE OF NAMING PRACTICES AND CULTURAL VALUES OF BATAK TOBA RESTAURANTS
This research aimed at the naming practices of traditional Toba restaurants located in Jakartaand identifying the strategy of naming them. The technique used in collecting the data were observing and note taking. All the data obtainedhave been classified into two speech accomodation strategies carried out by Giles et al (1991). Then, by the writer’s language intuition as a Toba native speaker, all the data were analyzed by using cultural perspectives in order to get the cultural values behind them. The first result of this research shows that the naming practices were derived from clan, family member, honourable person, friendship, places and plant, delicious flavour and good value, advice and wish, togetherness, solidarity and philopsophy, religion and possession, welcoming and serving. It can be seen that the basis of the naming refers to concepts reflecting the values, local wisdom and world views which belong to Toba people. The second result was thatdivergence strategy using Bahasa Toba in the naming was found tobe dominant, while convergence strategy found used English, Bahasa Indonesia or even the combinations between Bahasa Indonesia-English and Toba Language-English as the basis of naming the restaurants.
THE IMPLICATION OF PLUSES AND MINUSES OF RAHWANA’S BEHAVIOR TOWARDS INDONESIAN MODERN SOCIAL LIFE
Rahwana – the King of Alengka in the wayang story of Nusantara is the king of the three worlds. The lower realm is inhabited by jinns, demons, the centre realm is inhabited by humans, and the upper realm is the nature of the Gods. Rahwana was a hermit and devoted worshiper to Shiva. He was given abundant gifts of supernatural powers and wealth. The Palace of the King of Alengka was very magnificent. The people were prosperous. Rahwana did everything he wanted to have. He could not be killed by anyone and with anything. If he was killed by the enemy, Rahwana would soon come back to life, because he had drunk an eternal drink from the God residing in his soul. That is why Rahwana was acting arbitrarily, without needing ethics. Rahwana could mate with other women he liked, even though they were married. The women of his choice were willing to date, for fear of threats. However, Rahwana's service was very satisfying. The husbands of the women he dated were silenced with property. The husband was afraid of his wife and king. That is one proof that God is the most merciful to the faithful devotees, without having to curb behavior with social rules, except the law of karma. The people of Alengka were free to express themselves, but they must be morally responsible. Law enforcers can be richer than entrepreneurs, because legal processes could be bought. The Unitary State of the Republic of Indonesia is inhabited by a diverse ethnic group with various languages and cultures. The Javanese, Sundanese, Lombok, and Balinese tribes are fond of watching the tradition of puppet show as a source of educational value and a reference to social behavior even though the Indonesian people live in a modern way characterized by industrial culture. This article aimed to find out the implications of the pluses and minuses of the behavior of Rahwana figure towards modern Indonesian society. Qualitative method is considered appropriate for data collection with the application of conflict theory. Through this theory, it is expected that there will be a motive for social conflict in modern Indonesian society.
DEVELOPING INTEGRATED-ACOUSTIC LEARNING MODEL BASED ON BANYUWANGI LOCAL CULTURE FOR CHARACTER GROWTH OF FIRST CLASS STUDENTS PRIMARY SCHOOL
This research aims to develop an integrated thematic learning model based on Banyuwangi local culture for the development of elementary school students' character. A developmental research by using the Analysis, Design, Development, Implementation and Evaluation model is undertaken. The results of this research show that from the aspect of material feasibility, the result of 87% gives value 4 (Very Good) and 13% gives value 3 (Good). In terms of graphing eligibility, 89% of respondents rated 4 and 11% to give value 3. In terms of legibility verification, members rated 90% of the value 4 and 10% gave the value 3. In terms of media qualifications of 99% possible media according to the efficiency to be achieved. The results of the limited trial in elementary school, the feasibility of the teacher's faculty aspect assessed as much as 49% of value 4 and 51% giving value 3. The feasibility of the graphing, known as 61% gives the value of 4 and as much as 39% gives the value 3. Aspect feasibility readiness, 90 % gives value 4 and 10% gives value 3. Media qualification, known as 100% states fit according to content, passion, suitability of children, and conformity to the cultural arts of Banyuwangi. As a conclusion, that transfering the cultural moral value towards the student-oriented learning center, has established active and fun learning to make the students more motivated.
ENVIRONMENTAL GRAPHIC DESIGN OF MPU TANTULAR MUSEUM
The museum is the storage and preservation of cultural heritage and historic objects for the benefit of the study, research, or entertainment. A museum should be able to provide accurate information and adequate facilities. In order for the historical objects and museum facilities to be optimally enjoyed by visitors, the museum requires environmental graphics to assist the course of the visit. Mpu Tantular Museum which is located in Sidoarjo does not yet have sufficient signposts and information boards, causing the visitors to be confused. Then there is the need for environmental graphics to assist the visitors in finding and getting the maximum information. This paper will design the environmental graphics of Mpu Tantular Museum with a design concept called "Lontar Majapahit". The method used is the preparation stage and the creation phase with 5W + 1H analysis. Thus, visitors get two advantages, namely clear information and environmental graphic design that convey the characteristic of Mpu Tantular Museum.
THE AUTHENTICITY OF YOGA AS TOURIST SPECIAL INTEREST IN UBUD BALI
This article focuses on the characteristics of authenticity concept of tourist attraction. The purpose of this research was to identify the concept of authenticity of yoga as one of the main tourist attractions in Ubud, Bali. Data was collected in Kundalini Tantra Yoga straight from Master Ketut Arsana at Om Ham Resort and Retreat. The interview resulted in several different perspectives of an authenticity of tourist attraction for the stakeholders such as the business owner, tourist itself and the surrounding people. Ubud as the yoga’s largest tourist attraction in Indonesia has influenced the raising number of visit to Bali especially to learn yoga. This phenomenon has encouraged people, both locals and foreigners, to be the yoga instructors due to the raising demand. This variety of yoga instructors offers a new concept because of the instructor diversity. Research findings: 1) There’s a resistant from foreign tourist who cannot experience the pure, unique and authentic yoga which covered in the local wisdom of Bali due to the shifting from local to foreign instructor 2) This is an unsolved issue for local yoga instructor demands coming from foreign tourist whilst the locals are still reluctant to fill the gap.
THE USING OF VERNACULAR DESIGN TO DEVELOP EDUCATIONAL MEDIA FOR DISASTER MITIGATION THE DIRECTION OF DISASTER MITIGATION STRATEGIES IN THE RING OF FIRE REGION
Indonesia located in the intersection zone of Eurasian Plate, Pacific Ocean Plate and Indo-Australia causing some areas in Indonesia has the potential to experience periodically both earthquakes and tsunami. The education to deal with those circumstances has become a necessity in most parts of Indonesia to build resilience to disaster. This research aims to identify, understand and explain the study of visual content on disaster education media in the strategy of vernacular design. This difference emerges because of the authority of traditional knowledge and the stakeholder of local wisdom which is widely followed by several communities in Indonesian society has different direction in seeing disasters. Educational media that have been developed utilize the spoken culture such as folksongs, folktale or traditional games, but it’s never been evaluated the effectiveness of the media in term of visual communication approach. Technological developments close to the user allow opportunities to take a role in disaster and mitigation education. Educational media for disaster mitigation that has been used to provide understanding to the community has been widely disseminated. It is necessary to explore the formal aesthetics of educational content design on disaster mitigation as a disaster education effort through various possibilities in communication approach through vernacular visual language in disaster education. The research method use ethnography with qualitative descriptive analysis. The results of the research will be used as recommendation to the stakeholders and designers as design guideline that consider the site specific factor of each disaster characteristic.
ANALYSIS OF TRANSLATION TECHNIQUE AND TRANSLATION QUALITY OF MARVEL COMICS ‘CIVIL WAR : WHOSE SIDE ARE YOU ON? PART 1, 2’ (MULTIMODAL APPROACH)
The objectives of this study are: (1) to know the translation techniques into on the Marvel Comic series 'CIVIL WAR: WHOSE SIDE ARE YOU ON?' PART 1, 2; and (2) to know the assessment of translation techniques on translation quality into on the Marvel Comic series 'CIVIL WAR: WHOSE SIDE ARE YOU ON?' PART 1, 2; (3) to know the multimodal (verbal and visual) approach. This study applies the multimodal approach to help the researcher masters the assessment of translation quality on the Marvel Comic series 'CIVIL WAR: WHOSE SIDE ARE YOU ON?' PART 1, 2 that had been translated in Bahasa Indonesia. Concerning on that, the researcher attempts to understand some techniques of translating, concepts of comic, and multimodal such verbal and visual for his theoretical framework. This study also belongs to the qualitative research which means that this research no needs any statistical value to generalize findings of the research. Even if there are any values of numbers found in this research, it just become the assessment to know the quality of translation of Marvel Comic series 'CIVIL WAR: WHOSE SIDE ARE YOU ON?' PART 1, 2 in Bahasa Indonesia, as it has become most important elements to this research because of it had been chosen as the source of data to the research.
POWER RELATIONS, SYMBOLIC RULES AND THE POSITION OF BELIS IN THE HABITUS OF THE NTT SOCIETY’S CUSTOMARY MARRIAGE
This study employs sociological-ethnographic basic method and the cultural studies paradigm as the approach in understanding the habitus within the customary marriage of the East Nusa Tenggara (NTT) society who require belis as a bride-price. The conceptual basis underlying the application of habitus theory and symbolic power in the NTT society refers to the Bourdieu’s framework. This study is a result of participatory observation on the habitus of a marital system using belis observed by the NTT society as a cognitive structure which connects individuals to the social activities of the customary marriage and makes it unquestionable habits. Knowledge of the social world under the pretext of prosperity for the recipients (family) of a bride-price can be a political instrument for the sustainability of power relations. The ritual-mythical system in the society has never been fully present as a neutral habit. The habitus reflected in the marital relationship among the NTT society enables the men to obtain and exercise their power relations. The sustainability of power relations can be seen from the representation of the social status of a girl and the properties attached to her. This is what gave birth to a symbolic rule, in which the social rules about bride-price or belis eventually will serve the interests of those who occupy a dominant position in the social structure, namely the rich men.
BANTEN’S INDIGENOUS VISUAL STYLE IN THE ILLUSTRATIONS OF SAJARAH BANTEN MANUSCRIPT
Sajarah Banten is a manuscript presumed to be made in 18th century and associated with the Sultanate of Banten. The Islamic influence was prevalent in the sultanate, such as the way the manuscript was written in Javanese-Arabic letters. This paper aims to research whether there were traces of indigenous Banten or Baduy people’s worldview and culture in the visual style of Sajarah Banten’s illustrations along with the Islamic influence. The research is conducted by applying art critic method to analyse and evaluate the visual style. Result shows that the illustrations contain both Islamic and indigenous Banten visual styles through the application of aniconism principle.
THE TEX OF NELLA KHARISMA’S SONGS (A SOSIOLINGUISTIC STUDY)
Language principally functions as a medium for expressing ideas, like a singer singing songs through language. Listening to the Nela Kharisma’s song is very interesting because it uses a lot of language switching and code mixing in its text of the song. Language, according to sociolinguistic views, contains various variations. A sociolinguist emphasizes the relationship between variations and social and situational factor. This affects the language usage of musicians who at any time incorporate linguistic elements outside the original language. In connection with the variety of language usage, someone who is called a bilingual occurs. Sociolinguistics as a linguistic branch views or places the position of language in relation to the use of language. The symptom of switching language use due to the changing situation is called code switching. A code switching talk is usually followed by code mixing, namely the existence of a base code that is used and has an autonomous function. A speaker who speaks more than one language will have the opportunity to mix code. But that does not mean that the speakers who master more languages always apply more code mixing. When a speaker slips a lot of other language into the language he is using, it is called code mixing. The background of the occurrence of the code switching and mixing can be seen from the mixing of the language of a person/character using more than one language. Special characteristics of the speakers will color the code. This paper will talk about the problem of switching from one language to another using sociolinguistic approaches and linguistic analysis methods. The result achieved is to know how far the use of language of Nela Kharisma is with the song text.
A STUDY ON THE TECHNIQUES AND METHODS OF THE TRANSLATION OF THE POLITICAL TEXT IN THE INTERNATIONAL POLITICAL NEWS IN PRINTED MEDIA
This paper presents the results of the text analysis about the techniques and methods of the English-Indonesian translation of the political text in the international political news in printed media. The printed media used as the representation of the data is taken from Associated Press (AP), United Press (UPI), Reuters, Agency France Press (AFP) as the source texts. Whereas Jawa Pos, the national-printed media, and Solo Pos, the local - printed media used as the target texts.The focus of the news is about the United States as the super power country written in English, in the western-printed media news, and the news transfered into the national and local-printed media in Indonesian language.The method used in this reseach is descriptive qualitative research with holistic criticism approach. The results show the techniques and methods of the translation of political text in the internatioanal political news in those printed media, and the ideologies of the translators in those media. What kinds of techniques and methods are used in translating the text, and what ideology is mostly used by the translators.
OFFERING CEREMONY “SEDEKAH LAUT, IN CENTRAL JAVA
The cultural ceremony known as the Sedekah Laut is a ceremony held once a year, more precisely at the beginning of Shura month. This ceremony intends to give one a request for more abundant seafood than before. Sedekah Lautis related to the offering or named with alms to the Queen of South. This study aims to describe how the event of Sedekah Laut ritual in Cilacap. The method used in this research is observation and interview. This research is useful to increase the knowledge about culture in the archipelago for the readers and for the general public. The results indicate that the ritual has several functions for society that include social, cultural, economic, and religious dimensions. The special functions of the ceremony are to thank the Almighty God for his mercy to bless the community with the rest of the fish subsistence and to pray for the salvation of life
PREFERENCES FOR THE ORAL CORRECTIVE FEEDBACK TYPES IN SPEAKING CLASSROOM: VOICES FROM MALE AND FEMALE UNIVERSITY STUDENTS
Oral Corrective Feedback (OFC) in language classrooms has received considerable attention for the last few decades. However, most of the studies focus on teachers’ practices, and how learners perceive these practices still needs investigation. Based on this, the current studyaims atinvestigating the male and female students’ preferences on thesix types of oral corrective feedback as proposed by Lyster and Ranta (1997), and revealing their underlying reasonbased on their preferences. This study was qualitative study. A set of questionnaires wasdistributed to a random sample of thefirst-year university students (15 males and 15 females), and interview was providedas the follow-up activity from the result of questionnaires. The result from the survey indicates that most of the male students have a higherpreference to explicit correction and most of the female students have a higher preference to metalinguistic feedbackcompared to other types of OCF. Furthermore, there are some reasons behind their choice of OCF types.They perceived that clarification request is the most ambiguous type to be comprehended,whereasexplicit correction and metalinguistic feedback are the easiest way to be recognized. Theresult of this studyaims to improve the practice of oral correctivefeedback in speaking classroom.
THE POWER OF MYTH NYANGGAR JANUR KUNING AT PENGGING BOYOLALI CENTRAL JAVA
Javanese people is closely related to the myth which origin can be traced back to their ancestors. Mythology, somehow, can be used as a system of oral communication which developed overtime in the societies. A site of religious pilgrim in Pengging, Boyolali, Indonesia, or popularly called ‘the sanctuary of Yosodipuro I, has been a real evidence of the existence of mythology in Javanese people in the modern age. This holy place attracts many people from many regions because its origin story and its formerly religious figure, Yosodipuro I. The visitors believe that by doing religious pilgrim there, can make their dreams come true. The myth tells how Yosodipuro I, a religious figure, is regarded as a mediator of God to the citizens. The existence of mythology in this modern age, somehow, can be caused by the mindsets of the people. These mindsets have constructed code of signs which come within the self. Using the discourse analysis, this paper tells the motive of the visitors in ‘the sanctuary of Yosodipuro I’ by examining the ritual process of Nyanggar Janur Kuning, a fortune – telling. The paper also used Hyper- semiotic to reveal these phenomenon to know that a thing can have many signs. The sign finally reproduces new signs with the unlimited meaning. The results of the study indicates that people used myth to pursue their dream. Moreover, the visitors change the used-value of this place into the exchange value which represents aspirations.
ORNAMENT VARIETY OF ANIMALSON STONE COFFIN GRAVE (WARUGA); TRACES OF MINAHASA CULTURAL ACCULTURATION
Examining the traces of cultural development in a community means also seeing how cultural acculturation plays a role in the formation of the cultural identity. Minahasa as a cultural community also cannot avoid the penetration of other cultural influences in the formation of Minahasa cultural identity. Megalithic cultural traces that are manifested in the tradition of burying corpses in stone coffin graves are cultural products that exist in Minahasa cultural community. From the beginning as a product of megalithic culture which tended to be plain without ornament variety, in its development the stone coffin graves of Minahasa people later developed into a cultural product that was rich in ornament variety. Knowledge of ornament variety, in the beginning, presented as an expression of Minahasa people. As the penetration of the cultural influences from other culture, the ornament variety on the stone coffin graves of Minahasa people, then more developed and varied. The ornament variety of animals is one of the many ornament types that was found in Minahasa stone coffin grave. The article is the result of a study that inventories various forms of animal ornament in Minahasa stone coffin grave, which then with qualitative research methods and an interpretive approach interpreting the ornament variety of animals in Minahasa stone coffin grave. The focus of the study results is to reveal the meaning that is to be conveyed with the presence of this animal ornament. Interpretation of meaning is obtained through interviews and literature studies that are conducted in this study. The difference in interpretation is one of the challenges in this study. So that the meaning disclosure by the researchers is not absolute, but it still provides a different interpretation space along with the process that are carried out in this study.
WACANA KETERASINGAN PEREMPUAN DALAM NOVEL STENSILAN: STUDI KASUS KARYA ENNY ARROW
Stencil novels were so popular in the 1970s until the end of 1990s, precisely when the new order was existed. One of the most popular stencil novels was written by Enny Arrow. Her masterpiece gives abig impact for the generation. Her works present details of sexual relation and descriptionsof the human body, especially the female body, which can be able to awaken the reader's libido. The cover and illustration of the books often present pictures of sexy women. Uniquely, Enny Arrow's novels were able to get away from the tightness of the New Order regime which conditions for banning and censorship. Historically, during the New Order era women seemed to be printed in the culture of ‘controlled by husband'.That’s why the author sees the discourse of alienation in Enny Arrow's works, but how the discourse of alienation described in Enny Arrow's stencil novels? By using theory of power by Foucault, discourse of alienation is understood by the writer as a form of resistance from patriarchal domination that shapes women's understanding.